The next day preparations were made for the funeral solemnities. For nine days the people brought wood and built the pile, and on the tenth they placed the body on the summit and applied the torch; while all Troy, thronging forth, encompassed the pile. When it had completely burned, they quenched the cinders with wine, collected the bones and placed them in a golden urn, which they buried in the earth, and reared a pile of stones over the spot.

"Such honors Ilium to her hero paid, And peaceful slept the mighty Hector's shade." Pope's Homer

Chapter XXI

The Fall of Troy. Return of the Greeks. Orestes and Electra

The story of the Iliad ends with the death of Hector, and it is from the Odyssey and later poems that we learn the fate of the other heroes. After the death of Hector, Troy did not immediately fall, but receiving aid from new allies still continued its resistance. One of these allies was Memnon, the AETHIOPIAN prince, whose story we have already told. Another was Penthesilea, queen of the Amazons, who came with a band of female warriors. All the authorities attest their valor and the fearful effect of their war-cry. Penthesilea slew many of the bravest warriors, but was at last slain by Achilles. But when the hero bent over his fallen foe, and contemplated her beauty, youth and valor, he bitterly regretted his victory. Thersites, an insolent brawler and demagogue, ridiculed his grief, and was in consequence slain by the hero.

Achilles by chance had seen Polyxena, daughter of King Priam, perhaps on occasion of the truce which was allowed the Trojans for the burial of Hector. He was captivated with her charms, and to win her in marriage agreed to use his influence with the Greeks to grant peace to Troy. While in the temple of Apollo, negotiating the marriage, Paris discharged at him a poisoned arrow, which guided by Apollo, wounded Achilles in the heel, the only vulnerable part about him. For Thetis, his mother, had dipped him when an infant in the river Styx, which made every part of him invulnerable except the heel by which she held him. (The story of the invulnerability of Achilles is not found in Homer, and is inconsistent with his account. For how could Achilles require the aid of celestial armor if he were invulnerable?)

The body of Achilles, so treacherously slain, was rescued by Ajax and Ulysses. Thetis directed the Greeks to bestow her son's armor on the hero who, of all survivors, should be judged most deserving of it. Ajax and Ulysses were the only claimants; a select number of the other chiefs were appointed to award the prize. It was awarded to Ulysses, thus placing wisdom before valor; whereupon Ajax slew himself. On the spot where his blood sank into the earth a flower sprang up, called the hyacinth, bearing on its leaves the first two letters of the name of Ajax, Ai, the Greek for "woe." Thus Ajax is a claimant with the boy Hyacinthus for the honor of giving birth to this flower. There is a species of Larkspur which represents the hyacinth of the poets in preserving the memory of this event, the Delphinium Ajacis Ajax's Larkspur.

It was now discovered that Troy could not be taken but by the arrows of Hercules. They were in possession of Philoctetes, the friend who had been with Hercules at the last, and lighted his funeral pyre. Philoctetes had joined the Grecian expedition against Troy, but had accidentally wounded his foot with one of the poisoned arrows, and the smell from his wound proved so offensive that his companions carried him to the Isle of Lemnos and left him there. Diomedes was now sent to induce him to rejoin the army. He succeeded. Philoctetes was cured of his wound by Machaon, and Paris was the first victim of the fatal arrows. In his distress Paris bethought him of one whom in his prosperity he had forgotten. This was the nymph OEnone, whom he had married when a youth, and had abandoned for the fatal beauty Helen. OEnone, remembering the wrongs she had suffered, refused to heal the wound, and Paris went back to Troy and died. OEnone quickly repented, and hastened after him with remedies, but came too late, and in her grief hung herself.

Tennyson has chosen OEnone as the subject of a short poem; but he has omitted the concluding part of the story, the return of Paris wounded, her cruelty and subsequent repentance.

"---- Hither came at noon Mournful OENONE, wandering forlorn Of Paris, once her playmate on the hills. Her cheek had lost the rose, and round her neck Floated her hair, or seemed to float in rest. She, leaning on a fragment twined with vine, Sang to the stillness, till the mountain-shade Sloped downward to her seat from the upper cliff. . . . . . . . . . . . . . "'O Mother Ida, many-fountain'd Ida, Dear Mother Ida, hearken ere I die. I waited underneath the dawning hills, Aloft the mountain lawn was dewy-dark, And dewy-dark aloft the mountain pine: Beautiful Paris, evil-hearted Paris, Leading a jet-black goat, white-horned, white-hooved, Come up from reedy Simois, all alone.

"'O Mother Ida, hearken ere I die. Far off the torrent called me from the cliff: Far up the solitary morning smote The streaks of virgin snow. With downdropt eyes I sat alone: white-breasted like a star Fronting the dawn he moved; a leopard-skin Drooped from his shoulder, but his sunny hair Clustered about his temples like a God's, And his cheek brightened as the foambow brightens When the wind blows the foam, and all my heart Went forth to embrace him coming, ere he came.

"'Dear Mother Ida, hearken ere I die. He smiled, and opening out his milk-white palm Disclosed a fruit of pure Hesperian gold, That smelt ambrosially, and while I looked And listened, the full-flowing river of speech Came down upon my heart.

"My own OENONE, Beautiful-browed OENONE, my own soul, Behold this fruit, whose gleaming rind ingraven 'For the most fair,' would seem award it thine As lovelier than whatever Oread haunt The knolls of Ida, loveliest in all grace Of movement, and the charm of married brows."

"'Dear Mother Ida, hearken ere I die. He prest the blossom of his lips to mine, And added, "This was cast upon the board, When all the full-faced presence of the gods Hanged in the halls of Peleus; whereupon Rose feud, with question unto whom 'twas due; But light-foot Iris brought it yester-eve Delivering, that to me, by common voice Elected umpire, Her, comes to-day, Pallas and Aphrodite, claiming each This meed of fairest. Thou within the cave Beyond yon whispering tuft of oldest pine, May'st well behold them unbeheld, unheard Hear all, and see thy Paris judge of gods."'"

There was in Troy a celebrated statue of Minerva called the Palladium. It was said to have fallen from heaven, and the belief was that the city could not be taken so long as this statue remained within it. Ulysses and Diomedes entered the city in disguise, and succeeded in obtaining the Palladium, which they carried off to the Grecian camp.

But Troy still held out, and the Greeks began to despair of ever subduing it by force, and by advice of Ulysses resolved to resort to stratagem. They pretended to be making preparations to abandon the siege, and a portion of the ships were withdrawn, and lay hid behind a neighboring island. The Greeks then constructed an immense WOODEN HORSE, which they gave out was intended as a propitiatory offering to Minerva, but in fact was filled with armed men. The remaining Greeks then betook themselves to their ships and sailed away, as if for a final departure. The Trojans, seeing the encampment broken up and the fleet gone, concluded the enemy to have abandoned the siege. The gates were thrown open, and the whole population issued forth rejoicing at the long- prohibited liberty of passing freely over the scene of the late encampment. The great horse was the chief object of curiosity. All wondered what it could be for. Some recommended to take it into the city as a trophy; others felt afraid of it.

While they hesitate, Laocoon, the priest of Neptune, exclaims, "What madness, citizens, is this! Have you not learned enough of Grecian fraud to be on your guard against it? For my part I fear the Greeks even when they offer gifts." So saying he threw his lance at the horse's side. It struck, and a hollow sound reverberated like a groan. Then perhaps the people might have taken his advice and destroyed the fatal horse and all its contents; but just at that moment a group of people appeared dragging forward one who seemed a prisoner and a Greek. Stupefied with terror he was brought before the chiefs, who reassured him, promising that his life should be spared on condition of his returning true answers to the questions asked him. He informed them that he was a Greek, Sinon by name, and that in consequence of the malice of Ulysses he had been left behind by his countrymen at their departure. With regard to the wooden horse, he told them that it was a propitiatory offering to Minerva, and made so huge for the express purpose of preventing its being carried within the city; for Calchas the prophet had told them that if the Trojans took possession of it, they would assuredly triumph over the Greeks. This language turned the tide of the people's feelings, and they began to think how they might best secure the monstrous horse and the favorable auguries connected with it, when suddenly a prodigy occurred which left no room to doubt. There appeared advancing over the sea two immense serpents. They came upon the land, and the crowd fled in all directions. The serpents advanced directly to the spot where Laocoon stood with his two sons. They first attacked the children, winding round their bodies and breathing their pestilential breath in their faces. The father, attempting to rescue them, is next seized and involved in the serpents' coils. He struggles to tear them away, but they overpower all his efforts and strangle him and the children in their poisonous folds. This event was regarded as a clear indication of the displeasure of the gods at Laocoon's irreverent treatment of the wooden horse, which they no longer hesitated to regard as a sacred object and prepared to introduce with due solemnity into the city. This was done with songs and triumphal acclamations, and the day closed with festivity. In the night the armed men who were enclosed in the body of the horse, being led out by the traitor Sinon, opened the gates of the city to their friends who had returned under cover of the night. The city was set on fire; the people, overcome with feasting and sleep, put to the sword, and Troy completely subdued.